French electronic duo Justice have released “Pusher,” their first official collaboration with Gesaffelstein, as Rockstar Games reveals new details about the original score for Grand Theft Auto VI. The single arrived on October 29, 2026, ahead of a 30-track album scheduled for December 11, placing three of France’s most distinctive electronic producers at the centre of one of the year’s biggest video game releases.

Justice and Gesaffelstein Join Forces for GTA VI

Justice and Gesaffelstein have officially collaborated on “Pusher,” a new electronic track created for the upcoming Grand Theft Auto VI soundtrack project.

The release marks a notable meeting between two influential forces in French electronic music. Justice, consisting of Gaspard Augé and Xavier de Rosnay, have spent more than two decades developing a sound that combines distorted synthesizers, disco influences, rock arrangements and powerful electronic production.

Gesaffelstein, the recording project of French producer Mike Lévy, has established a contrasting identity through dark electronic textures, industrial influences and tightly controlled rhythms.

Their collaboration brings these approaches together within Rockstar Games’ latest musical project.

“Pusher” develops around a driving bassline, layered synthesizers and an extended arrangement that moves between darker electronic passages and more melodic elements. Rather than following a conventional radio-single structure, the track reflects the cinematic possibilities of electronic music written for an interactive environment.

Grand Theft Auto VI: Original Score Arrives December 11

Alongside the single, Rockstar Games confirmed that Grand Theft Auto VI: Original Score will arrive on December 11, 2026.

The album will feature 30 tracks selected from the original music composed by Justice for the game, alongside additional bonus material.

The project will be available on major streaming platforms and in physical formats, including double CD and triple vinyl editions. A limited triple-vinyl edition featuring crystal-clear records has also been announced.

According to Rockstar Games, Justice’s music forms part of an adaptive score designed to respond dynamically to the player’s activities across Vice City and the wider fictional state of Leonida.

This approach places electronic composition beyond the role of background music. The score is intended to accompany changing environments, narrative sequences and different forms of gameplay throughout the story of Jason and Lucia.

The forthcoming album also includes “Flower in a Hurricane,” featuring Tame Impala, SZA and King Gizzard & The Lizard Wizard, which previously introduced listeners to the musical direction of the game.

A Major Creative Project for Justice

The GTA VI score represents another substantial project in Justice’s career, following the release of their fourth studio album, Hyperdrama, in 2024.

Since breaking through with their debut album Cross in 2007, the duo have remained closely associated with the evolution of French electronic music.

Their productions frequently move between club-oriented rhythms, progressive arrangements and more expansive instrumental compositions, making video game scoring a natural extension of their established approach.

Working with Rockstar Games also introduces their music to an audience extending well beyond the electronic music community.

For Gesaffelstein, whose catalogue includes the albums Aleph, Hyperion and Gamma, “Pusher” represents a further connection between contemporary electronic production and large-scale audiovisual projects.

Electronic Music Beyond the Club

Grand Theft Auto has a long history of connecting video games with contemporary music through licensed soundtracks and fictional radio stations.

For GTA VI, the distinction between its original score and its separate soundtrack album is particularly important.

The soundtrack brings together individual recordings from a broad collection of artists, while Justice’s original score provides music composed specifically for the game’s environments and narrative.

The collaboration with Gesaffelstein highlights how established electronic artists are increasingly involved in major entertainment productions without abandoning their distinctive musical identities.

With “Pusher” available now and the complete original score arriving on December 11, Justice’s contribution to Grand Theft Auto VI is emerging as a significant crossover between electronic music, gaming and contemporary audiovisual composition.